This past weekend I channeled my inner Will Ferrell and partied at UMass-Amherst’s Parents Weekend. I’m Old School but can still hang with the college kids… at least until 7:30 p.m. (that’s what happens when you crack your first tailgate beer at 10:30 in the morning). Come to think of it I’ve been rocking non-stop this year. I’m starting to feel like Iron Maiden on their endless World Slavery Tour circa 1984-85.

It was a blast. My daughters are everything and it was great to get to hang out with them and their college friends along with a bunch of middle-aged dads and moms. The then undefeated football team got its ass kicked, but who cares. Human beings and time outside in the New England fall are the cure for the world’s online ills.

This week, a look at a book that inspired Growing Up Metal and a few other odds and ends.

A book that inspired Growing Up Metal, and another that didn't

When I first heard of Chuck Klosterman’s Fargo Rock City circa 2008, I thought to myself: Finally, someone has written the book I want to read. Suburban nowhere in rural North Dakota + heavy metal, seasoned with youthful nostalgia. A look back at 80s metal and what it all meant.

I read it with avidity. I laughed at Chuck’s shrewd observations even when I disagreed with them, sometimes violently (the dude hates Iron Maiden. WTF). Chuck has a sparkling wit and combines genuine love for some of the material with an unserious, lampooning look at its 80s excesses. Plus, he’s a good writer.

But in the end Fargo Rock City was not the book I wanted, or hoped for. Reasons here.​

This is not the book’s fault, necessarily, even though the back cover copy is a bit misleading (“classic memoir of growing up as a shameless metalhead in Wyndmere, North Dakota”). It’s not really memoir. Fargo Rock City is largely adult Klosterman’s analysis of heavy metal music, the 80s metal scene, the best and worst albums and bands, and the cultural impact of it all. What has made metal last, and what hasn’t aged well.

What it isn’t is his story.

Yes, it has elements of memoir, a few scenes from his childhood, but most of its page count is devoted to adult, half serious, half lampoon analysis of heavy metal. There is very little if any of the details of Chuck’s life, and even less self-examination.

In summary, I believed that the first metal fan’s memoir remained unwritten.

Fast forward 14 years. In 2022 I began to give serious thought to what would become the detailed outline for Growing Up Metal. In preparation I did some deep internet research. And turned up this book:

I bought it, read it, and immediately thought, this is what I’ve been seeking. Here is a blueprint for how I might grapple with my own story. Adventures of a Metalhead Librarian was proof it could be done. It was also a reminder that, like O’Brien’s book, it had to be done with heart, and authenticity, and my interior life on the page.

Adventures of a Metalhead Librarian is wildly different than my book but the arc is the same: The story of a metalhead from high school to adulthood, and the transition from a life of relative irresponsibility and freedom to the parenthood and mortgage payments and commitments. O’Brien’s journey is more “metal” than mine; in 1990 at the age of 18 she moved to Los Angeles to live on the Sunset Strip. Metal was at its zenith and her book is full of authentic sex/drugs/rock and roll (sometimes with the band members themselves). She even landed her dream job with Metal Blade Records and saw everything upended with the arrival of grunge. Reading it, I felt some trepidation—my life was not as interesting as hers—but also a measure of relief. Our stories are very different. While hers took her out west (she eventually settled down in Arizona) mine took place on the east coast.

O’Brien’s stories of the strip are compelling and interesting and well-told but that’s not what makes the book excellent IMO. It’s the rawness of the narrative. Memoirs are powerful because they have a messiness and realness and complexity to them that fiction often lacks. Life is rarely tied up in a nice bow. O’Brien grapples with her demons, including her parents’ divorce and her complicated relationship with her father, a damaged, alcoholic Vietnam War veteran. She was a huge reader in her childhood and sought escape in the pages of stories, a trait I recognize in myself. Metal fans are if nothing else split personas--passionate and plain, rebellious and conformist, loud and quiet, often in the same package. It’s all part of the mystique.

O’Brien does in fact go on to become a librarian.

I admired it so much that it served as a loose model for how I wanted to craft my own memoir. In the end I did not want to write tongue-in-cheek cynicism or artful distanced criticism like Fargo Rock City because I felt neither of these things about metal. Instead, I wanted to write about my passion for the genre and how it accompanied me on my life journey. This is what O’Brien’s book delivers. It is a true look inside the author and the soul of the metal fan.

I hope I’ve managed to capture some of the same magic.

Other things I’m reading/talking about/listening to/anticipating

• Last month I read Matthew John’s first sword-and-sorcery collection/fix-up novel To Walk on Worlds. You can read my full review on the blog; I enjoyed it and recommend it.
• Last week I recorded an interview/conversation with John and James Mills, hosts of the Rogues in the House podcast. We talked about sword-and-sorcery and the intersection of heavy metal, among other topics. It was a blast! A lot of laughs and a little light shed on two of my favorite topics, and they generously allowed me to talk about Growing Up Metal. I expect that episode out soon and will share a link when it’s available.
• Current listening: The Cromcast, who have embarked on a full season covering King Arthur in all his various incarnations and adaptations. I enjoyed their first two episodes on T.H. White’s The Sword in the Stone, book one of his magisterial The Once and Future King. I am due for a re-read of that book, which resides comfortably in my top 10 novels of all time.​
• Current reading: Horror Hunters, a collection of eight classic horror short stories edited by Roger Elwood and Vic Ghidalia. I’ve enjoyed this old 70s paperback, the highlight a story I’ve read before but not in some years: H.P. Lovecraft’s “The Unnamable.” Fritz Leiber has a fine little shocker in here as well. I’ll have a review on the blog soon.
• What’s old is new: DMR Books announced the next release in its line of Definitive Editions of A. Merritt’s works: The Fox Woman and Other Stories. Brackenbury Books announced a reprint of Charles Saunders Dossouye stories. Glad to see these old stories kept alive.