Sword-and-sorcery and heavy metal are among a small handful of my great passions. I write about these and other related topics on my blog, The Silver Key (https://thesilverkey.blogspot.com/). Flame and Crimson: A History of Sword-and-Sorcery (2020, Pulp Hero Press) is my first book. I'm working on a second book, a heavy metal memoir.
Share
Arcane Arts: Dispatches From The Silver Key
Published 4 days ago • 5 min read
Dispatches from the silver key
Arcane Arts
This weekend I played with madness. I drove 5 hours to see Iron Maiden, with opening acts Anthrax and Megadeth, at a sold-out Sports Illustrated Stadium in Harrison, New Jersey.
Bruce! Taken at the show, not by me.
Two-word review: Fucking awesome.
Longer review (with setlist spoilers). Maiden played exclusively classic material, the newest “Fear of the Dark” which is 34 years old at this point. They opened up with FOUR songs off their first two albums: The Ides of March (recorded instrumental) followed by “Murders in the Rue Morgue,” “Wrathchild,” “Killers” and “Phantom of the Opera.”
Killer(s).
My highlight was a couple of bangers off Seventh Son of a Seventh Son. According to Bruce’s monologue Maiden hadn’t played “Infinite Dreams” in 35 years, but we got to see it and it sounded incredible.
Maiden sounded fantastic, easily among the best sound quality experiences I’ve had at a live show. Bruce is still soaring as a vocalist. They are still bringing huge energy and played without pause for two hours and 5 minutes. I was tired watching them.
The venue, which typically hosts a major league soccer team, was sold out. The listed capacity of the arena is 25,000, and even though a couple large sections behind the stage were roped off, the entire floor which typically is an empty field was packed with bodies. A sea of bodies. There had to have been 25K fans there. And they sold out a SECOND night, on Sunday.
A sea of humanity.
WTF. Metal lives, man. Live After (purported) Death. We’re not giving up the ship.
And the thirst goes on and on for them and me
The stage show was astounding. There were real props--Eddies on stilts, a cage for the condemned man of “Hallowed,” and Union Jack flags for “The Trooper” and the like--but a massive, high-definition screen projected visuals so immersive and detailed it felt like you were inhabiting the Egyptian world of "Powerslave," the mean streets and dirty back alleys of 1970s London, the deck of a haunted galleon of “Ancient Mariner,” and the cold wastes of “Seventh Son.”
It was half rock show, half opera or a high-end Broadway performance.
If had any criticism—and this is a reach, I’m straining to find anything to complain about—the show was almost too produced, to the point of absence of rawness or spontaneity. I can see why Steve Harris with British Lion and Bruce and Adrian Smith with their side solo projects seek the release of small venues and solo side-projects.
Again, complaint? Hardly. Just an observation. Also, last I checked people are still trying to exit the parking lots. Parking was kinda trash.
Megadeth sounded great except for Dave’s voice, which has lost much of its power. But he gets a pass, he’s been ill and details his struggles with cancer in a new memoir In My Darkest Hour which I’m sure I’ll buy.
Anthrax played a short setlist but were great and played two of my favorites in “Indians” and “Medusa."So I was happy.
Did I mention I’m going AGAIN tonight?
The summer of insanity tour rolls on.
A welcome metal reunion
An amazing moment Thursday occurred amid the buzz of the release of Growing Up Metal. My old friend Pete McKinnon messaged me several times, letting me know he was reading the book on Kindle and greatly enjoying it.
I’ll be honest I was swept up with emotion, a mixture of gratefulness and relief. I didn’t get much done the rest of the day.
I haven’t seen Pete since our 10-year high school reunion. That would have been 2001… 25 years ago. The one and only reunion I’ve attended. But if you want to reconnect with old friends I guess the answer is, write a book.
Of all the people who appear in Growing Up Metal Pete was the person about which I was possibly the most apprehensive (wife aside, but she had already read the draft). Pete was the ringleader of our friend group, a bass player who joined a metal band named Den of Thieves—which I thought was really fucking cool at the time (it still is!). He meant a lot to me then, and still does. We hung out constantly in the late 80s, through high school and into college, when changing life circumstances caused us to drift apart. All detailed in the book.
I wanted to do that period in our lives justice. I wasn’t sure if I had, until I heard from him.
I found out much more. He’s married to his high school sweetheart Liz. The two have a daughter heading into her senior year of college—just like my younger daughter Libby.
And he’s still playing bass, in a band called the Drinkmore Brothers (love the name). With his permission I’m sharing a link to the album, Pour Decisions (love that name too):
Any writing award that encourages good writing and celebrates authors is welcomed.
This celebrates the muscular, military-infused fantasy Drake was known for and many (raises hand) still enjoy. Per the release, “In the spirit of military science fiction and fantasy written by David Drake, especially the Hammers Slammers and RCN/Lieutenant Leary series, the contest will seek engaging stories with military themes.”
It keeps Drake’s name alive. I haven’t read most of his stuff, but the stories I have encountered have been uniformly good. “The Barrow Troll” is in my top 25 S&S stories. I also am a fan of “Killer,” “The Mantichore” and The Dragon Lord.
We still need a dedicated award for sword-and-sorcery but this at least puts us in shouting distance.
Sword-and-sorcery and heavy metal are among a small handful of my great passions. I write about these and other related topics on my blog, The Silver Key (https://thesilverkey.blogspot.com/). Flame and Crimson: A History of Sword-and-Sorcery (2020, Pulp Hero Press) is my first book. I'm working on a second book, a heavy metal memoir.
Dispatches from the silver key Arcane Arts Print pending …Ebook published. That’s where I stand with Growing Up Metal. Right on the edge of done. A pair of proof copies arrived in my mailbox yesterday, a day early; I turned them over in my hands, incredulous. Reviewed and approved them. Took a deep breath, and pressed publish. Unboxing... I wait for Amazon approval and then all will be finished. I am finished. Right now you can buy the e-book (wow). I’m not an e-reader myself but if you are...
Dispatches from the silver key Arcane Arts As noted in last week’s issue of Arcane Arts I had some difficult decisions to make regarding the cover of Growing Up Metal. I engaged a cover designer and he sent me four treatments, three of which I liked but had to dismiss. Spinal Tap volume dial: A bit too plain and a bit too clever. Guitar: Clean look, great font, but implies I play the instrument. Average dude with silhouette of guitar hero—near perfect, nearly the cover. But I could only pick...
Dispatches from the silver key Arcane Arts My jam is reading and writing, analyzing art, and sharing cool things. But today I'm not doing these things. Instead I’m neck-deep in production, the mechanics of creating and publishing a book. On Sunday I spent +/- 6 hours importing and formatting text. And then another couple hours Monday. Not fun, but necessary. And rewarding in its own way. Growing Up Metal has migrated from .docx files on my One Drive to formatted chapters in the Reedy...